Bernard Herrmann "Taxi Driver (Original Soundtrack Recording)" electronic but they’re also laced with

but they’re also laced with an inescapable sense of melancholy

“A Man Can Get Lost

The audacity to profess your true self is a virtue

like you'd feel when your feet finally hit sand after getting caught in a riptide

This classic album is full of '80s punk "hits" and features members who later went on to play in both CHRISTIAN DEATH and D

Bernard Herrmann "Taxi Driver (Original Soundtrack Recording)" electronic but they’re also laced withThe music by Bernard Herrmann was his final score before his death on December 24, 1975, and the film is dedicated to his memory. Robert Barnett of MusicWeb International has said that it contrasts deep, sleazy noises, representing the "scum" that Travis sees all over the city, with the saxophone, a musical counterpart to Travis, creating a mellifluously disenchanted troubadour. Barnett also observes that the opposing noises in the soundtrack gritty